![]() MUSIC: Summer Concert Series: Sycamore Community Band, 7-9 p.m., Blue Ash Nature Park, 4337 Cooper Road, Blue Ash. MUSIC: Jazz at the Square: Mandy Gaines, 6-9 p.m., Fountain Square, 520 Vine St., Downtown. MUSEUMS: Creating Connections: Self-Taught Artists in the Rosenthal Collection, Cincinnati Art Museum, 953 Eden Park Drive, Mount Adams. įESTIVAL: Fringe Festival, Know Theater, 1120 Jackson St., Over-the-Rhine. ĭANCE: Line Dancing, 5:30 p.m., Summit Park, 4335 Glendale Milford Road, Blue Ash. Featuring Mark Chalifoux, Lee Kimbrell, Brian Million, Lena Beamish, Kelley Peter and Mr. Tuesday, June 13ĬHARITY: Let’s Laugh for Kids Sake, 7:30 p.m., Go Bananas Comedy Club, 8410 Market Place Lane, Montgomery. MUSIC: Jazz at the Park: El Ritmo De Manana, 6-9 p.m., Washington Park, 1230 Elm St., Over-the-Rhine. Panel discussion includes Camille Jones, Vibe-One, Brince, and Yalie Kamara. ![]() LECTURE: DuWaup's Cincinnati Poetry Slam presents: Black Art Talks: Unity, 7 p.m., Playhouse in the Park, 962 Mount Adams Circle, Mount Adams. ![]() Documents live tours from King Gizzard & the Lizard Wizard. There was a work for jazz band and symphony orchestra (1989) and a Concerto for Jazz Trombone and Orchestra (1990).FILM: “Chunky Shrapnel” and “Sleeping Monster,” 7:30 p.m., Woodward Theater, 1404 Main St., Over-the-Rhine. Notable among these were Echoes of Ellington (1976), in collaboration with some former Duke Ellington musicians, and Take Me Back To New Orleans (1981), with the pianist and singer Dr John. Other bandleaders of his vintage tended to play an unvarying programme of their hits and old favourites, but throughout his career Barber approached each tour or recording as a fresh project. A motor racing enthusiast, the decreed that the band were not available during the Formula One season, and neither would they work over the Christmas and New Year period. To be a member of it was generally considered to be the best job in jazz.īarber was in the enviable position of being able to being able to do whatever he liked, whenever he liked. Throughout the 1970s and 1980s, the band, now called Chris Barber’s Jazz and Blues Band, continued touring the world, always playing to packed houses. It was Barber who first introduced British audiences to Muddy Waters, doyen of the Chicago blues, thus sowing the seeds of the rhythm-and-blues movement of the Sixties, which in turn produced the Rolling Stones. He, too, left to become a bandleader on his own account. The band had several hit records, including Bobby Shaftoe, Whistling Rufus, Petite Fleur and Hushabye, the last two being features for Monty Sunshine’s clarinet. This single piece sparked a nationwide craze for forming amateur skiffle groups, one of which was the future Beatles.ĭonegan left to pursue his career as a solo entertainer, while Barber went on to enjoy great popularity as a leading figure of the late-Fifties trad boom. ![]() This was Rock Island Line, by a band-within-the-band called the Skiffle Group, consisting of Donegan, singing and playing guitar, Barber playing bass and Beryl Bryden scraping a washboard. It sold 60,000 copies in the first year, The success of one number, however, surpassed everyone’s wildest expectations. A typical night at one of these, with the Barber band performing, is depicted in a short film, Momma Don’t Allow, made in 1955 and readily accessible online.īarber’s first album, New Orleans Joys (a 10 in LP), had been released by then. At first they played mainly at the jazz clubs that were springing up everywhere, most often in the back rooms of pubs. The “classic” Chris Barber band was now complete, consisting of Halcox, Barber, the clarinettist Monty Sunshine, bassist Jim Bray, drummer Ron Bowden and Lonnie Donegan on banjo and guitar.
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